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S10 #46

#46 – Is Satire Still Dangerous? | Brian Andrew Whiteley

Artist and provocateur Brian Andrew Whiteley joins The Truth In This Art to talk about creating work that pushes buttons and blurs boundaries. Based in New York, Brian is known for his politically charged performances and installations—from the infamous Trump Tombstone to his leadership at the artist-run Satellite Art Show.In this wide-ranging conversation, Brian reflects on the early days of his work with creepy clown performances, how drawing comics sparked his creative journey, and why art that provokes discomfort can often spark the deepest conversations. He shares the legal and emotional fallout from controversial projects, what it means to stay committed to an experimental path, and how building spaces like Satellite offers artists a way out of the commercial art world’s rigid structure.This is an honest, funny, and layered dialogue about creative risk, censorship, and what it takes to build something outside the system.Highlights include:The story behind the Trump Tombstone—and how it led to a Secret Service investigationWhy embracing absurdity became central to his practiceBuilding Satellite Art Show as a true artist-first platformLearning to push past legal threats and backlash to stay true to his ideasWhy success isn’t about sales—it’s about freedom and community🎧 Want more? Explore the Satellite Art Show’s latest projects at satellite-show.com or follow Brian Andrew Whiteley on Instagram for updates on his work and exhibitions.
S10 #45

#45 – How Can Typing in Public Challenge Fear and Defend Free Speech? | Sheryl Oring

What happens when a typewriter becomes a tool for collective memory? In this episode, Rob Lee reconnects with interdisciplinary artist and activist Sheryl Oring—first featured on the podcast in 2023. Sheryl returns with updates on I Wish to Say, her decades-long public performance project where thousands have dictated postcards to the U.S. president. What began as a solo typewriter setup is now an evolving civic archive—and a way to resist censorship, document the moment, and hold space for unheard voices.This conversation follows a pivotal year for Sheryl—marked by the sudden closure of University of the Arts in Philadelphia—and explores how loss, listening, and literal paper trails have shaped her latest work.Resisting censorship: serving as the first artist on the board of the National Coalition Against CensorshipTyping on tour: collecting messages from parks, libraries, and campuses during an election yearAnalog permanence: archiving 5,000+ typewritten postcards and the invisible labor of cultural memoryPost-UArts Philly: navigating grief, disillusionment, and artistic renewal after institutional collapseFear and self-censorship: how public expression is shifting for immigrants, youth, and marginalized communitiesLibraries as sanctuary: preserving democratic space as book bans and closures escalateArt as care: on fermenting, gardening, and rituals that ground a life in transitionSheryl first appeared on The Truth in This Art in 2023—listen to that conversation [here].This episode was recorded during a season reflecting on archives, resilience, and artists working at the intersection of public space and democratic expression.
S10 #41

#41 – How Do You Reinvent and Thrive in Baltimore’s Underground? | Kotic Couture

If you’ve ever danced your heart out at a sold-out basement party or streamed a late-night DJ set on your phone, you’ve felt the pulse of Kotic Couture’s world. In this episode, Baltimore Magazine’s 2023 Best Local Artist shares how she swapped rap verses for turntables, co-founded one of the city’s most inclusive monthly events, and turned a bedroom-studio experiment into the Prototype album—all while building a fiercely supportive community of fellow Black queer creatives. Embracing vulnerability: lessons learned from emceeing full-hour sets before new audiencesPrototype album deep dive: turning a fearless DIY experiment into a cohesive, locally produced projectCurating intentional spaces: co-founding VERSION—one of Baltimore’s most inclusive monthly parties—and sustaining community through venue closures ​Power of word-of-mouth: why personal referrals and community trust can outweigh big marketing budgetsPandemic pivot: adapting from in-person shows to digital drop-ins and stepping back into a scene transformed by new DJsBroadening impact: collaborations with Black Techno Matters and Liberate DC, plus surprise opportunities in fashion and gallery featuresCatch Kotic Couture's first appearance on the podcast here:  This episode was recorded during a season dedicated to creative growth, transformation, and honoring the foundations that helped build Baltimore’s culture.Photo: 
S10 #33

#33 – How Shaolin Jazz Redefines Film & Sound | DJ 2-Tone Jones

Shaolin Jazz co-founder DJ 2-Tone Jones—one half of the duo behind the genre-bending brand—returns to reflect on growth, alignment, and his continued love for blending film and music through Can I Kick It?Finding purpose through Shaolin Jazz: how re-scoring films with hip-hop and jazz gave his DJ career renewed meaningCan I Kick It?: building a national, live-scoring experience that fuses cult classic cinema with original DJ setsMastering live scoring: learning to let films “breathe” and why restraint can elevate storytellingCreative partnerships that last: why the right venue, audience, and mission fit matter more than numbersLessons from 160+ screenings: evolving from DIY setups to long-term residencies and curatorial refinementNiche as power: how a focused creative identity built deeper impact, loyalty, and community across citiesCheck out Shaolin Jazz's and DJ 2-Tone Jones’ first appearance on the podcast — recorded in 2020 — here. Join DJ 2-Tone Jones this Saturday at Creative Alliance for Can I Kick It?, featuring Monkey Man—an adrenaline-fueled Indian revenge thriller re-scored live with hip-hop, soul, and cinematic beats. 🎧🎥 Doors at 7PM, film starts at 7:30. Grab your tickets now: creativealliance.org/event/can-i-kick-it-monkey-manThis episode was recorded during a season dedicated to creative growth, transformation, and honoring the foundations that helped build Baltimore’s culture.
S10 #32

#32 – How Do You Choose Stories Worth Telling? | Joe Tropea

Baltimore’s award-winning documentary filmmaker, public historian, and Baltimore City Hall curator Joe Tropea returns to share how personal connection guides his project choices, why he embraces “ums” and raw moments in the edit, and what it takes to build strong creative partnerships — from abandoned true-crime concepts to a new mayoral portrait gallery.Following personal connection: why priests breaking into draft boards, censored movie trailers, punk archives, and barbershop stories all felt like natural fitsEmbracing imperfections: the case for keeping “ums,” pauses, and rough cuts to give stories authenticity and respect the voices involvedKnowing when to pivot: lessons from shelving a State Department project and a true-crime doc that no longer aligned with his ethicsKeys to collaboration: how attraction, creative tension, and shared values shape meaningful partnerships with co-directors and researchersCurating City Hall: what it’s like to activate a 150-year-old space through public tours, historical exhibits, and a new mayoral portrait galleryRapid-fire reflections: favorite Vietnam War movie, a one-word definition of curation, and the low-key joys of exploring City Hall’s archives🎧 Catch Joe Tropea’s first conversation here:Whether you’re filming, curating, or simply looking for stories that speak to something deeper — Joe’s approach will push you to trust your instincts and lead with heart.📸 Photograph by Elena Volkova
S10 #30

#30 – How Do You Blend Archive and Activism in Your Art? | Isaiah Winters

You know those moments when a photograph or film clip feels like it’s speaking hidden truths? New School professor and interdisciplinary artist Isaiah Winters returns to share how rigorous archival research fuels his photography, film, and mixed-media practice. From earning his MFA at Parsons to documenting pro-Palestinian campus protests and exposing housing inequities, Isaiah shows how historical fragments—old photographs, 16 mm and 35 mm film, collages—become living narratives that confront nationalism, indexicality, and structural racism.MFA to professor: completing his Parsons MFA and stepping into a full-time teaching role in The New School’s photo departmentArchival layering: fusing historical photographs, film, and collage to interrogate narratives of nationalism and memory“This Land Is Your Land” revisited: investigating segregation, Indigenous displacement, and public memory in national parksUnpacking housing myths: exposing GI Bill disparities, postwar suburbanization, and systemic racism in American housingOn-campus documentation: capturing student-led pro-Palestinian encampments and the resurgence of fascist undercurrentsAnalog expansion: why he embraces 35 mm and experimental video to turn archives into urgent calls for changeCatch Isaiah Winters’s first conversation here:  Whether you’re an educator, activist, or lover of visual storytelling, Isaiah’s approach will open new pathways for seeing archives as living tools—and may inspire your next creative act. Photograph by Isaiah Winters
S10 #29

#29 – How to Bring Portraits to Life on Canvas | Monica Ikegwu

You know that moment when a painting feels so real you swear the subject might blink? Hyper-realist portraitist Monica Ikegwu returns to reveal the behind-the-scenes rigor—hours of glazing, precise lighting choices, and minimalist backgrounds—that turn a single photograph into a living, breathing canvas. Join Monica as she unpacks her journey from MFA student at the New York Academy of Art to international exhibitions, and how her “Just Say Yes” ethos keeps her pushing creative boundaries. Studio rigor and glazing: how disciplined layers of paint bring depth and life to every portraitFrom fabric backdrops to abstraction: evolving her style by pairing figures with minimalist geometric shapesPhoto-shoot alchemy: capturing a sitter’s essence in brief sessions and translating mood into color and formMFA to independent practice: moving from New York Academy of Art to a Baltimore studio and global exhibitions“Just Say Yes” philosophy: saying yes to every opportunity—from museum shows to artist-led residenciesLooking ahead: a new body of unified-color work and an upcoming institutional exhibition featuring her signature abstract motifsCatch Monica Ikegwu’s first appearance on the podcast here:  Whether you paint, draw, or simply love a great portrait, Monica’s process will give you a fresh appreciation for the craft—and maybe inspire your next creative leap. Photograph by Lia Latty
S10 #28

#28 – How Do You Bring Art to the People? | Ky Vassor

You’ve probably admired one of Ky Vassor’s murals without even knowing it—now she’s back to pull back the curtain on how those vibrant public artworks, pop-up workshops, and neighborhood installations all began with a passion for community and a sprinkle of hustle.In this episode, Baltimore’s interdisciplinary artist and Galerie Myrtis Assistant Director walks us through the unlikely lessons she learned bartending, volunteering, and designing street-team campaigns before deciding to earn an MFA in Community Arts—and how every step shaped her mission to make creativity part of daily life.From bartending and street‐team hustle to graduate studies: the unconventional path that led her to an MFA in Community ArtsCommunity‐first curation: activating public murals, mixed-media installations, and pop-up workshops in everyday spacesMentorship in action: building support networks for emerging artists through hands-on teaching and one-on-one studio visitsWearing multiple hats: balancing roles as artist, educator, and museum administrator for sustainable impactHonoring untold stories: creating works that uplift underrepresented voices and spark neighborhood prideWhat’s next: upcoming public art commissions and expanded educational programs designed to broaden Baltimore’s creative ecosystemCatch Ky Vassor’s first appearance on the podcast here: Whether you’re an artist, educator, or simply curious about the power of public art, this chat will leave you inspired to look at your own neighborhood in a whole new light. 📸 Photo: Phillip Muriel
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